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Content Details
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Walt Disney
The Triumph of the American Imagination
by 
Neal Gabler
Arthur Morey
  
Publisher: Books on Tape
Subject(s):  Biography & Autobiography
Nonfiction
Language(s):  English
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Format Information

OverDrive WMA Audiobook add to digital cart
Available copies:  
Library copies:  
File size:   481102 KB
ISBN:   9780739349229
Release date:   Nov 07, 2006

Description

The first full-scale, annotated biography of Walt Disney, from the Los Angeles Times Book Award-winning author of Winchell. Few personalities ever loom large enough in the cultural consciousness that their names alone immediately evoke an image, a set of values, even a way of regarding the world. To this day, Walt Disney bestrides our culture. He re-invented animation, re-imagined the amusement park, and reshaped the entertainment industry by building a synergistic empire the likes of which no one has ever seen. With these contributions, Walt Disney has left a deep ineradicable brand on our culture. In this truly definitive biography of both the man and his work, we learn in remarkably vivid detail exactly how he accomplished all of this.

 

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Excerpts

From the book

...
Chapter One

Escape


Elias Disney was a hard man. He worked hard, lived modestly, and worshiped devoutly. His son would say that he believed in "walking a straight and narrow path," and he did, neither smoking nor drinking nor cursing nor carousing. The only diversion he allowed himself as a young man was playing the fiddle, and even then his upbringing was so strict that as a boy he would have to sneak off into the woods to practice. He spoke deliberately, rationing his words, and generally kept his emotions in check, save for his anger, which could erupt violently. He looked hard too, his body thin and taut, his arms ropy, his blue eyes and copper-colored hair offset by his stern visage--long and gaunt, sunken-cheeked and grim-mouthed. It was a pioneer's weathered face--a no-nonsense face, the face of American Gothic.

But it was also a face etched with years of disappointment--disappointment that would shade and shape the life of his famous son, just as the Disney tenacity, drive, and pride would. The Disneys claimed to trace their lineage to the d'Isignys of Normandy, who had arrived in England with William the Conqueror and fought at the Battle of Hastings. During the English Restoration in the late seventeenth century, a branch of the family, Protestants, moved to Ireland, settling in County Kilkenny, where, Elias Disney would later boast, a Disney was "classed among the intellectual and well-to-do of his time and age." But the Disneys were also ambitious and opportunistic, always searching for a better life. In July 1834, a full decade before the potato famine that would trigger mass migrations, Arundel Elias Disney, Elias Disney's grandfather, sold his holdings, took his wife and two young children to Liverpool, and set out for America aboard the New Jersey with his older brother Robert and Robert's wife and their two children.

They had intended to settle in America, but Arundel Elias did not stay there long. The next year he moved to the township of Goderich in the wilderness of southwestern Ontario, Canada, just off Lake Huron, and bought 149 acres along the Maitland River. In time Arundel Elias built the area's first grist mill and a sawmill, farmed his land, and fathered sixteen children--eight boys and eight girls. In 1858 the eldest of them, twenty-five-year-old Kepple, who had come on the boat with his parents, married another Irish immigrant named Mary Richardson and moved just north of Goderich to Bluevale in Morris Township, where he bought 100 acres of land and built a small pine cabin. There his first son, Elias, was born on February 6, 1859.

Though he cleared the stony land and planted orchards, Kepple Disney was a Disney, with airs and dreams, and not the kind of man inclined to stay on a farm forever. He was tall, nearly six feet, and in his nephew's words "as handsome a man as you would ever meet." For a religious man he was also vain, sporting long black whiskers, the ends of which he liked to twirl, and jet-black oiled hair, always well coifed. And he was restless--a trait he would bequeath to his most famous descendant as he bequeathed his sense of self-importance. When oil was struck nearby in what came to be known as Oil Springs, Kepple rented out his farm, deposited his family with his wife's sister, and joined a drilling crew. He was gone for two years, during which time the company struck no oil. He returned to Bluevale and his farm, only to be off again, this time to drill salt wells. He returned a year later, again without his fortune, built himself a new frame house on his land, and reluctantly resumed farming.

But that did not last either. Hearing of a gold strike in California, he set...
 

Reviews

Michael Dirda, Washington Post Book World (December 3, 2006)...
"Mesmerizing . . . there's nothing Mickey Mouse about this terrific biography of Walt Disney (1900-1966), arguably the most influential figure in 20th-century American culture. The research is astonishingly detailed . . . . About this superb biography, one can hardly be temperate. Gabler's only obvious flaw is also his great strength--the sheer amount of detail and material he presents to the reader. But his engaging, unobtrusive prose, his passion for his workaholic subject (whom he regards as both genius and monster), and his steady march through an amazing career all inspire trust and gratitude. Here, then, is the definitive portrait of Walt Disney, the Dream-King."
 
Bruce Handy, New York Times Book Review (December 3, 2006)...
"Illuminating . . . engrossing . . . . Gabler paints a vivid portrait."
 
Michiko Kakutani, New York Times (November 14, 2006)...
"A thoughtful, incisive and largely straightforward account of Disney's life and career."
 
Howard Kissel, New York Daily News (November 5, 2006)...
"Masterly . . . . Gabler conveys the limits of Disney's personal life with sympathy and objectivity. He gives a very careful analysis of the labor strike that changed the mood of the studio irrevocably as well as a nuanced discussion of Disney's alleged anti-Semitism. By conveying the odds against which Disney struggled, Gabler makes his triumph all the more impressive."
 
Gene Seymour, Newsday (November 5, 2006)...
"Gabler has put forth the kind of protean epic that Theodore Dreiser or John Dos Passos might have written with their all-encompassing vision, if in a less strident gear. It isn't just the immense amount of detail Gabler deploys to give density and shadow to Disney, but the frames he uses to contain such detail that brings this biography perilously close to being its own work of art . . . . His previous books . . . ring with pitch-perfect intuitiveness about popular culture buttressed by scrupulous research and judicious tactics."
 
St. Petersburg Times (November 5, 2006)...
"[A] tremendously researched and eminently readable biography . . . at once vast and intimate, a skillful act of juggling enormous amounts of fact with equal amounts of rumor, myth, gossip, adultation and hype. Gabler sorts through the contradictions and gives us a coherent image of the man . . ."
 
The Baltimore Sun...
"A richly detailed, often poignant, psychological profile of a visionary . . . "
 
Kansas City Star...
"Neal Gablers' Walt Disney: The Triumph of the American Imagination is a standout . . . [Gabler's} vision of Disney and of Diseny's vision of America is far more complex and shaded than most other authors', and far more objective and reliable . . . He is a lively, thoughtful writer, easy to stay with over hundreds of pages . . . one of the most readable, enjoyable, and satisfying books of this year."
 
Boston Sunday Globe...
"A poised and admiring portrait . . . [Gabler offers] rich detail and exhaustive combing of sources."
 
Library Journal (starred review)...
"Revealing . . . Fascinating . . . Fans of compelling biographies and of Disney himself will be thrilled to have this in their collection."
 
Pat H. Broeske, Bookpage...
"A revelatory portrait of a visionary . . . Disney examines its subject with a balance of insight, awe and empathy."
 
Ca...
"Magnificent . . . an exhaustively researched and beautifully written work that is among the finest biographies I have ever read . . . Speaking of classics, this book is one. It should capture every award worth giving."
 

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